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Meryll Rogge Fall 2025: No Wallflowers Here

时间：2025-03-12 03:54:16 source：Boots_Solid SDXENOX Jumper med grey m

P.A.R.O.S.H. Ginny crop top Highlights light blue mesh design stretch-design crystal embellishment sequin embellishment square neck spaghetti straps mesh lining elasticated hem Composition Outer: PVC, Polyamide 90%, Spandex/Elastane 10% Lining: Polyamide 90%, Spandex/Elastane 10% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.8 m wearing size S Product IDs FARFETCH ID: 22692109 Brand style ID: D311530GINNY

Meryll Rogge Fall 2025: No Wallflowers Here

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Final Sale Philipp Plein slim-cut jogging jeans blue cotton logo patch to the rear classic five pockets front button and zip fastening slim cut Composition Lining: Polyester 65%, Cotton 35% Outer: Cotton 98%, Elastane 2% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.86 m wearing size 32 The model is also styled with: Philipp Plein embroidered-logo sweatshirt Product IDs FARFETCH ID: 16614659 Brand style ID: FAACMDT2548PDE004N

Knitted Sweaters

Meryll Rogge created a collection of crumbling beauty, equally tinged with nostalgia and art. The Belgian designer looked to the works of Gordon Matta-Clark, who would make temporary installations from the walls of soon-to-be-destroyed buildings, as well as the prints of vintage wallpapers from the famous Priem shop in her hometown of Ghent, as inspiration for fall. She reinterpreted those handmade wallpapers as prints for fall, and finished them off with ruffles, pleats, bows and beading; it was if your grandma’s favorite lampshade was reincarnated as ready-to-wear. Mixed with bits of her sport and leisurewear codes she steered clear of retro, and her quirky take on layering and mix of menswear added range. The result was a play on structure versus softness, embellishment vs. austerity, embodied by crisp coats against lacy lingerie, chunky knits with quilted, drop-waisted skirts, shrunken tanks over plaid button downs. Bright colors felt fun and hopeful. You May Also Like Rogge’s tailoring has matured, her cuts are sharper, and here she used bonded wool to create excellent outerwear. It all felt quite romantic yet useful — a standout grass green coat had a variety of pockets that would fit all manner of electronics. The show was set in an abandoned mansion stripped down to the studs, while Rogge brought in benches covered in century-old wallpaper, and served Champagne and croissants. Plus the Belgian brigade of young designers, including Igor Dieryck and Marie Adam-Leenaerdt, turned out to support. The brand is working with a new sales agent this season. “They’re really ready to take us to the next level,” she said. With her smart yet quirky pieces there should be plenty of options.

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