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Véronique Leroy Fall 2025: Return of Pattern

时间：2025-03-13 00:00:00 source：EU will bei Whiskey und Jeans zulangen_Faux Fur & Shearling Coats

New Season PINKO sleeveless cotton shirt dress Highlights white cotton poplin texture panelled design spread collar front button fastening with logo-debossed buttons sleeveless chest patch pocket two side inset pockets flared skirt thigh-length straight hem Composition Cotton The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 23072545 Brand style ID: 103111A1P4Z04

Véronique Leroy Fall 2025: Return of Pattern

Semicouture Brushed Knitted Top Grey

Final SalePhilipp Pleinmid-rise slim-fit chinosMade in ItalyThe origin of the goods may vary from batch to batch. Please refer to the actual product.Highlightsblackstretch-cottonlogo patch to the rearmid-riseslim cutbelt loopsconcealed fly and button fasteningtwo side slit pocketstwo rear welt pocketsCompositionOuter: Cotton 97%, Elastane 2%Lining: Polyester 65%, Cotton 35%The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsRead Manufacturer GuidelinesThe washing method is subject to the commercial washing standardProduct IDsFARFETCH ID: 24019627Brand style ID: UADCMRT1458PTE004N

Ski Accessories

For her first runway show since the pandemic, Véronique Leroy kept her collection close to home, all the while looking to the East. The Belgian designer, who first presented in Paris in 1983, kept the continuity by using many of the same fabrics and techniques she used back then, such as wool, chunky knits and waterproof nylon. At the same time, she went far afield for an injection of novelty in pattern. Leroy collaborated with the Li ethnic group from China’s Hainan province to use their traditional Lijin brocade and embroidery motifs. She reworked them a bit and blurred them, blew them up and shrunk them down, on sweaters, coats and column dresses. For shapes, she stuck to the classics. “I prefer to read the same book 10 times. If I leave it and come back, every time I see it differently,” she said. “We always have a new eye because we are so influenced by what is happening and what surrounds us [at the current moment].” To further this point, she transformed the silhouettes with precision, such as diamond-shaped shoulders and hip points that jutted from the body. On dresses this tailoring trick nipped the waist but did not add volume at the hips; on coats and dresses it added almost Elizabethan pouf and flounce to sleeves. Leroy worked in a more muted pattern of chocolates and grays than is her wont, and the streamlined palette highlighted the print. Accessories were revisits of shapes past, including large spherical bracelets, left in their metallic state or covered in coordinating fabric. The designer said she returned to the runway after five years simply because the time felt right, and she wanted to go deeper with this new collaboration than a film or book, which is how she has presented since the pandemic. There were soft cushions, too, embroidered with the Lijin motifs, to comfort the weary fashion week flock on the last day of the week. It was all very soothing.

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